Evidence for the Skewing of the C-14 Dating

EVIDENCE FOR THE SKEWING OF THE C-14

DATING OF THE SHROUD OF TURIN DUE TO

REPAIRS

BY JOSEPH G. MARINO AND M. SUE BENFORD

Abstract: In 1988, Carbon-14 findings from three Accelerator Mass Spectrometer (AMS)
Labs independently dated a sample removed from the Shroud of Turin: unarguably the
most widely studied linen cloth in history. The dates reported ranged between 1260 -
1390 A.D.; thus, leading to the conclusion that the cloth originated in the middle ages.
This paper, previously presented on August 28, 2000 at the Worldwide Congress
"Sindone 2000" in Orvieto, Italy, presents evidence that the sample tested by the three
AMS labs contained a "patch" of material from the 16th Century. The authors examine
the theory that this extraneous material was skillfully spliced into the 1st Century original
Shroud cloth in the C-14 sample used by the laboratories for testing. According to
hypothetical calculations performed by AMS laboratory, Beta Analytic, the world's
largest radiocarbon dating service, the observed proportion of medieval material in
relationship to assumed 1st Century material, closely matches the findings of the AMS
Labs in 1988.

It is well known and documented that the Shroud has been repaired several times in its
history, including in the area from which the C-14 sample was taken. The most recent
was in 1973 after Professor Gilbert Raes, a member of the Turin Commission that studied
the Shroud in 1969 and 1973, was given some samples. But is it possible that other
undocumented repairs were made to the Shroud? Enzo Delorenzi, also a member of the
Turin Commission, made the very significant statement:

…I should like to mention the impression I received during the course of my
examination, namely, that more pairs of hands have carried out the darning than is
suggested in the historical records (the four Clarissas of Chambery, the Blessed Valfre
and the Princess Clotilde). (Delorenzi 1976, pg. 111)

In light of the compelling evidence that we are about to present, we believe that the
theory that the Shroud has literally been patched with medieval material from the 16

century, in the C-14 sample itself, explains the medieval carbon dating results.
Furthermore, several other sindonologists have identified various anomalies that also
seem to point to undocumented repairs (Gervasio, 1986: 264, 268), which adds credence
to the hypothesis that the C-14 sample area may have been similarly enhanced.

Giovanni Riggi, the person who actually cut the C-14 sample, which was from the
same area from which the 1973 “Raes piece” was taken, stated:

I was authorized to cut approximately 8 square centimetres of cloth from the
Shroud…This was then reduced to about 7 cm because fibres of other origins had become
mixed up with the original fabric …(Riggi 1988:182).

Italian author Giorgio Tessiore, discussing the sample taking, noted, “…1 cm of the new
sample had to be discarded because of the presence of different color threads” (Tessiore,
1988:44).

Upon microscopic examination of the Oxford C-14 sample, Professor Edward Hall,

head of the Oxford lab, noticed fibers that looked out of place. A laboratory in
Derbyshire determined that the rogue fibers were cotton of “a fine, dark yellow strand.”
According to Peter South of the lab, “It may have been used for repairs at some time in
the past…” (Rogue Fibres found in the Shroud, 1988:13).

Professor Raes, who extracted the above cited Shroud sample in 1973, believes

that in the 1988 Oxford sample he examined, the cotton he observed was contained inside
the threads, which could help to explain the difference in fiber diameter (Raes, 1989).
We believe that the heavier, blended material may explain why the C-14 sample
apparently weighed about twice as much as expected (Petrosillo and Marinelli, 1996:63).

However, one also needs to find chemical differences to support the theory of a
medieval patch. The late Dr. Alan Adler, a chemist and member of the STURP team that
studied the Shroud in 1978, noted:
So you can talk all you want about how reproducible the date is, but you can’t talk about
how accurate it is. You have no way of knowing if the area you took the C14 sample
from represents the whole cloth. That’s an area which has obviously been repaired.
There’s cloth missing there. It’s been rewoven on the edge. They even cut part of it off,
because it was obviously rewoven on the edge. The simplest explanation why the date
may be off is that it’s rewoven cloth there. And that’s not been tested (Case, 1996:73).

Dr. Adler in a 1996 article showed a graph (see

Figure 1

) that illustrates the

absorbance patterns of image, non-image, radiocarbon warp, waterstain, scorch, and
serum single fiber samples and made the following statements (Adler, 1996:225):
The patterns…are all distinguishably different from one another, clearly indicating
differences in their chemical composition. In particular the radiocarbon samples are not
representative of the non-image samples that comprise the bulk of the cloth.

Not only is the radiocarbon sample atypical of the main Shroud cloth, but statistician
Bryan Walsh shows that the data indicate that there is a 97.7% chance that the C-14
subsamples themselves are from different populations, and in this case, the population
would refer to the threads. (Walsh, 1999). Walsh states:

It was determined that there was a statistically significant (P>98.8%, r

=0.49) inverse

linear relationship between the date measured and the distance from the sample to the
edge of the cloth. This finding indicated that there was an apparent gradient of
radiocarbon measured on the Shroud sample with the higher levels of C14 measured at

increasing distance from the edge of the Shroud linen based on the sample measured
(Walsh, 1999).

Further, to pass the Chi Square test, which determines comparability of two or more
disparate samples, statisticians tell us that the calculated value should be lower than 6.
The Chi Square test value for the Shroud is 6.4, meaning that the subsamples cannot be
considered identical, or rather, from the same representative sample (Van Haelst,
1991:5).

The labs

produced a wide range of dates, with the range between 1238 and 1430 for

Arizona and the average dates for Oxford and Zurich falling between the oldest and
youngest dates obtained by Arizona.

Figure 2

illustrates a color-enhanced version of the approximate location of each of

the laboratories’ subsamples. These are our proposed areas of patched (pink) and original
(yellow) weaves. The Oxford and Zurich dates as shown are the average of their range.
As can be seen in our proposal, Arizona had a sample with both minimal and maximal
medieval material, corresponding to Oxford’s older age on one end and Zurich’s younger
age on the other. Since Arizona had two separate pieces, and we are unable, based on the
data revealed by them, to determine which dates match up with which pieces, we have
put a question mark after their dates, but feel fairly certain that we have postulated
correctly, based on the close correspondence with the Walsh graph (see

Figure 3

A striking similarity can be observed between the angle at which the C-14 rate
changes and the angle at which the disparate weave intersects the Shroud weave. Note
the correlation between the angle of what appears as the patch of medieval material
spliced into the original weave, and what Walsh has portrayed statistically.

If one looks at the location from which the Shroud samples were taken for each of the
three labs, it can be seen that the C-14 dates correspond closely to the change in weave
percentage. This would resolve the question as to why Arizona’s results were both the
oldest and youngest of the three labs.

It is our premise that the reinforcement with 16

century material occurred following

the removal of the 5 ½ inch x 3 ½ inch section of cloth adjacent to the C-14 sample (see

Figure 4

). This may have occurred as a result of the will and testament bequeath, drawn

up on February 20th, 1508, by the Duchess of Savoy, Margaret of Austria, who wanted to
leave a portion of the Shroud to her church (Wilson, 1998:67, 287). Margaret died
around the beginning of 1531 (BSTS Newsletter, no. 51, June 2000, pg. 43), at which
time her last will and testament was executed. We propose that it included the excision
of the 5 ½ inch x 3 ½ inch section. Supporting this timeline of events is empirical testing
by Adler, which compelled him to conclude that the “missing panels were already
missing at the time of the 1532 fire” (Adler, 1997:104). Since this would have been prior
to the addition of the backing cloth in 1534, a more sophisticated patch-type repair would
have been necessary to prevent unraveling of the raw edges.

Figure 4

one can observe several anomalies in the area from which the sample was

taken. The first is the distinctive definition in the seam that extends the length of the
cloth. It is clearly more defined next to the excised piece, possibly indicative of
restorative stitching, as reported by Raes, which we will soon describe. The second is the
more pronounced discoloration extending only into the area that we have designated as
the medieval patch. According to Louise Harner of the Albany International Research
Company, which specializes in textile analysis, inconsistent discoloration in heat-exposed
fabrics can be due to different thread types or different preparations, including the
addition of various oils and dyes (Albany International Research Company, 2000). This
observation is supported by the 1982 discovery of starch on a thread from the 1973 Raes
samples. Starch was, in fact, used by medieval restorers for invisible mending
(Petrosillo and Marinelli, 1996:149). Harner further noted that cotton’s lower scorch
threshold, as compared to linen’s, supports the notion that fabric containing cotton may
disproportionately darken compared to pure linen (Harner, 2000, August 2).

The third and most compelling of the anomalies is the existence of a subtle vertical
seam directly below the end point of the excised area and proceeding down to the section
we have designated as the 16

century patch (see

Figure 5

). Does this seam indicate the

connecting point of the patch to the main Shroud?

A blinded analysis of a photograph of the Zurich C-14 sample, by Thomas Ferguson
& Co. Ltd, world-renowned makers of Double Damask Linen, resulted in their perception
that the sample was "touched up to prevent unraveling." They further observed, "We
have to say that we see the twill pattern clearly on both sides, but still there is something
different left versus right." (Ferguson & Co., 2000)

In a second blinded examination of photographs of both the Zurich and uncut C-14
samples, European-trained weaver David Pearson, owner of the French Tailors in
Columbus, Ohio, immediately recognized the disparate weave pattern and differences in
thread size, stating "there is no question that there is different material on each side…It is
definitely a patch.

[(referring to what we have highlighted in

Figure 2

as the pink

section)] (French Tailors, 2000). He stated that medieval European weavers would
typically try to match the original cloth and then hand-stitch approximately ½ inch of
new material into the old, such that it was invisible to all but the trained eye. This would
ensure the long-term integrity of the material, while maintaining aesthetic consistency
throughout the fabric. This type of detail to repairs would be consistent with the wealth
and devotion of the Savoy family, who owned the Shroud at the time.

In a third blinded analysis of the Zurich C-14 sample, by Albany International, Louise
Harner remarked that “the float is different on either side of the sample” (Albany
International Research Company, 2000). It forms a thick/thin, thick/thin pattern on the
right side, whereas the left is much more consistent throughout (see

Figure 6

). This is

probably due to the fact that each side of the pattern was woven independently, possibly
corroborating Pearson’s belief that part of the sample was a patch.

But is an invisible and undetected patch as described by Pearson plausible with
reference to the C-14 sample region? Although Riggi had given his assurances that the
excised C-14 samples given to the labs were free of foreign threads, both red silk and
blue satin fibers were documented by Arizona (Petrosillo and Marinelli, 1996:86),
leaving one to ponder if he also failed to detect the much more subtle patch

Due to its adjacent location next to the excised region and C-14 sample, it is highly
likely that the Raes sample also contained the 16th century patch. In Raes’ examinations
of his 1973 samples (Raes, 1976:86) and the 1988 Oxford C-14 sample (Raes, 1989), he
reported the presence of cotton fibers. More importantly, he detected two pieces of
material sewn together, noting, “The thread used for sewing the two pieces together
is…twisted in an S-direction, whereas the individual threads are twisted in a Z-direction”
(Raes 1976:85). Here Raes is referring to the connection between the fabric and the
seam, which raises further suspicions of a patch, since studies have shown that the side
strip is, in actuality, a continuation of the main Shroud (Schwalbe and Rogers, 1982:42;
Adler, 1997).

A radiograph of the C-14 sample region demonstrated high and low-intensity bands
continue uninterrupted between the main Shroud and side strip, indicating a singular
fabric (Schwalbe, 1982:42).

However, as depicted in

Figure 7

, band “C” seemingly terminates as it reaches the

area we have designated as the 16

century patch (Schwalbe, 1982:42), suggesting that

the band does not extend any further.

Further support for the theory of a 16

century patch can be found in a theoretical C-

14 calculation (see

Figure 8

). According to Ronald Hatfield, a scientist at Beta Analytic,

the world’s largest radiocarbon dating service, a merging of threads from AD 1500 into a
2,000 year old piece of linen would augment the C-14 content, such that a 60/40 ratio of
new material to old, determined by mass, would result in a C-14 age of approximately
AD 1210 (Beta Analytic Laboratories, 2000). This correlates very closely with the
Oxford mean date of AD 1200 as reported in

Nature

(Damon, 1989:613) and with the

observed ratio of original versus medieval material in the C-14 sample.

CONCLUSION

An acceptable theory of why the Shroud dated between AD 1260-1390 must
satisfactorily explain the precise, statistically-determined angular skewing of the dates
corresponding with the individual laboratories, with reference to the location of the
subsamples received. The traditional theories of generalized ionizing radiation, thermal
effects, and bioplastic coating are incapable of meeting this latter requirement, as is the
premise that the cloth itself, is,

in toto

, medieval. Our theory that a significant portion of

the C-14 sample was, in actuality, a patch of 16

century material, meets all the

requirements necessary to explain the results obtained by the laboratories.

Some advocates of a radiation theory hold that ionizing radiation, whether by itself or
in tandem with another cause, is probably responsible for the skewing of the C-14 date
and possibly also responsible for the image-formation process.

However, we have recently discovered compelling empirical evidence regarding an
image-formation process, named “QuantaGraphy

,” which reproduces many, if not all, of

the key characteristics of the Shroud, including reproduction of spatially-encoded 3-D
images. This new evidence, which involves an area of research that STURP member, the
late Dr. John Heller, gave credence to (“Radio Waves Found to Affect Cell Behaviour”,
1959 and “Effects of Radio Waves gets Wider Laboratory Study”, 1959), as did Dr. Alan
Adler (Adler, 1999), strongly suggests that a non-ionizing radiation was involved in the
image-formation process and did

not

affect the C-14 content.

Much could be learned by microscopically examining the extra Shroud material saved
by Giovanni Riggi when the C-14 sample was taken, investigating the cloth adjacent to
where the sample was removed, and conducting another C-14 test using material beneath
a patched hole area as previously proposed by Shroud of Turin Research Project
scientists (Schwalbe and Rogers, 1982:44). By performing these tests, perhaps we can
finally unravel the truth regarding the age and origin of this fascinating cloth.

References

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