Jane Austen on Screen

Couverture
Gina MacDonald, Andrew MacDonald
Cambridge University Press, 9 oct. 2003 - 284 pages
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This collection of essays explores the literary and cinematic implications of translating Austen's prose into film. Contributors raise questions of how prose fiction and cinema differ, of how mass commercial audiences require changes to script and character, and of how continually remade films evoke memories of earlier productions. The essays represent widely divergent perspectives, from literary 'purists' suspicious of filmic renderings of Austen to film-makers who see the text as a stimulus for producing exceptional cinema. This comprehensive study will be of interest to students and teachers alike.

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Table des matières

Short takes on Austen summarizing the controversy between literary purists and film enthusiasts
9
A few skeptical thoughts on Jane Austen and film
10
Ang Lees sensitive screen interpretation of Jane Austen
12
the Janeite culture of the Internet and commercialization through product and television series spinoffs
15
Janeite culture what does the name Jane Austen authorize?
22
Such a transformation translation imitation and intertextuality in Jane Austen on screen
44
Two Mansfield Parks purist and postmodern
69
Sense and Sensibility in a postfeminist world sisterhood is still powerful
90
Emma interrupted speaking Jane Austen in fiction and film
144
Reimagining Jane Austen the 1940 and 1995 film versions of Pride and Prejudice
175
Emma and the art of adaptation
197
Clues for the clueless
228
Questions for discussion
254
Filmography
260
Bibliography
266
Index
281

Regency romance shadowing in the visual motifs of Roger Michells Persuasion
111
Filming romance Persuasion
127

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À propos de l'auteur (2003)

Gina Macdonald teaches at Nicholls State University in Thibodaux, Louisiana. Her books include James Clavell (1996) and Robert Ludlum (1997).

Andrew Macdonald teaches at Loyola University in New Orleans. He is the author of Howard Fast (1997).

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