Summary Information
Abstract
Author, artist, spoken word performer, and founding member of the Beat
Generation. The William S. Burroughs Papers contain manuscripts and galley proofs of
some of Burroughs's novels, as well as biographical material on Burroughs.
At a Glance
Call No.: | MS#0174 |
Bib ID: | 4078569 View CLIO record |
Creator(s): | Burroughs, William S., 1914-1997. |
Title: | William
Seward Burroughs Papers,
1957-1976.
|
Physical description: | 2.5 linear feet (6 document boxes and 1 oversize
item).
|
Language(s): | In English
|
Access: |
This collection is located on-site.
More information » |
Arrangement
Arrangement
This collection is arranged in four series.
Return to top
Description
Scope and Content
The William S. Burroughs Papers contain manuscripts and galley proofs of some of
Burroughs's novels, as well as experimental prose, including early examples of
Burroughs's cut-up technique, and a small amount of correspondence. The collection also
contains a series of biographical material on Burroughs collected by Victor Bockris.
Series I: Correspondence, 1953-1973
The Correspondence series contains a few select pieces of correspondence between
Burroughs and his friends and collaborators. In this series are letters exchanged
between Burroughs and Allen Ginsberg regarding their collaborative, epistolary
book
The Yage Letters.
This series, though small,
includes both letters later reprinted as part of the publication and
correspondence related to the editing and process.
Series II: Writings, 1958-1969
The Writings series is the largest series in the collection and contains working
drafts of 1961's Grove Press Edition of
The Soft
Machine,
as well as annotated drafts and galley proofs of Burroughs's
substantial 1965 revision of the novel published by Grove Press. There are also
drafts and galleys of
Nova Express
; a corrected,
signed galley proof of
The Naked Lunch;
and full
typescript drafts of
The Yage Letters
and
Junkie.
This series also contains a collection of prose
experiments conducted by Burroughs utilizing the cut-up technique that he utilized
in much of his longer fiction, as well as experiments in using a grid form to
intersplice different texts together.
Series III: Photographs and Realia
The photographs in the collection are mostly snapshots of Burroughs and Herbert
Huncke. Also included in this series is the Dreamachine, a device designed by
Burroughs and Brion Gysin and constructed by Ian Sommerville, designed to help
stimulate brain activity and bring about a hallucinatory state.
Series IV: Victor Bockris Files, 1965-1975
Victor Bockris, a friend and collaborator of Burroughs, Victor Bockris write
several articles about Burroughs and edited both Burroughs's collection of essays,
The Adding Machine
and the interview-based book
With William Burroughs: A Report from the
Bunker.
This series of material includes numerous drafts of and notes
for With William Burroughs, as well as some of Burroughs's published writings
collected by Bockris- including a small run of
Crawdaddy
Magazines featuring articles or columns by Burroughs and a
copy of
The Paris Review
that includes both an
interview with Burroughs and his essay "St. Louis Return."
Series V: Addition to the Papers, 2017
Accession 2017.2018.M020
Return to top
Using the Collection
RBML
Access Restrictions
This collection is located on-site.
Restrictions on Use
Single photocopies may be made for research purposes. Permission to publish material
from the collection must be requested from the Curator of Manuscripts/University
Archivist, Rare Book and Manuscript Library (RBML). The RBML approves permission to
publish that which it physically owns; the responsibility to secure copyright permission
rests with the patron.
Preferred Citation
Identification of specific item; Date (if known); William S. Burroughs Papers; Box and
Folder; Rare Book and Manuscript Library, Columbia University Library.
Selected Related Material-- at Columbia
Allen Ginsberg Papers, 1944-1991
Columbia University, Rare Book &
Manuscript Library
The Ginsberg Papers contain some correspondence, some additional experimental prose,
and fractionary drafts of
The Exterminator,
Queer,
and "The Hot Rod" as well as a full manuscript of
The Naked Lunch
(here referred to by the working title
"Interzone.")
Jack
Kerouac Correspondence, 1945-1965
Columbia University, Rare Book &
Manuscript Library
Barry Miles
Papers, 1958-1990
Columbia University, Rare Book & Manuscript
Library
Ann Charters Photographs, 1966-1982
Columbia University, Rare Book
& Manuscript Library
Naked
Lunch: The First Fifty Years
online exhibit, Columbia University, Rare Book
& Manuscript Library
Selected Related Material-- Other Repositories
William S. Burroughs Papers
New York Public Library, Berg Collection
William
S. Burroughs Papers, WSB 97
Ohio State University, Rare Books and
Manuscripts
William S. Burroughs Collection
Hayden Library Special Collections, Arizona
State University
Return to top
About the Finding Aid / Processing Information
Columbia University Libraries. Rare Book and
Manuscript Library; machine readable finding aid created by Columbia University
Libraries Digital Library Program Division
Processing Information
Cataloged 04/14/1989 Christina Hilton Fenn
Papers reprocessed 6/2009 Carrie Hintz
Finding aid wittten by Carrie Hintz, 2009.
Machine readable finding aid generated from MARC-AMC source via XSLT conversion
July 25, 2009
Finding aid written in English.
2009-07-25
xml finding aid created by Carrie Hintz
2009-07-25
xml finding aid updated by Catherine C. Ricciardi
Return to top
Subject Headings
The subject headings listed below are found in this collection. Links below allow searches at Columbia University through the Archival Collections Portal and through CLIO, the catalog for Columbia University Libraries, as well as ArchiveGRID, a catalog that allows users to search the holdings of multiple research libraries and archives.
All links open new windows.
Genre/Form
Heading | CUL Archives: Portal | CUL Collections: CLIO | Nat'l / Int'l Archives: ArchiveGRID |
---|
Galley proofs. | Portal | CLIO | ArchiveGRID |
Subjects
Return to top
History / Biographical Note
Biographical Note
William S. Burroughs was born in 1914 in St. Louis, Missouri.
He attended private schools in St. Louis before a brief stint at the Los Alamos Ranch
School in New Mexico. He received a bachelor's degree from Harvard in 1936.
After graduating from Harvard, Burroughs spent a few years
traveling through Europe, followed by a short stint in the US Army. After his discharge
from the Army Burroughs moved to Chicago where he worked a string of odd jobs and spent
time with his friend David Kammerer and Kammerer's obsession, University of Chicago
student Lucien Carr. When Carr transferred from UC to Columbia University, both of the
older men used this as an impetus to move to New York City as well.
It was through Carr that Burroughs met Allen Ginsberg and Jack
Kerouac. The three, along with Carr, Kerouac's girlfriend Edie Parker and her roommate
Joan Vollmer, forged close friendships centered around a shared love of literature,
drugs, and a bohemian lifestyle. It was during this time that Burroughs was first
introduced to narcotics through the well known Times Square hustler, and writer, Herbert
Huncke and quickly became addicted to opiates. Jean Vollmer, Burroughs's lover, and
later common-law wife, also suffered from an addiction that eventually resulted in her
hospitalization for acute amphetamine psychosis. The two had a son, William S. Burroughs
Jr., before Burroughs accidentally, but fatally, shot Vollmer in Mexico City.
Burroughs began working on the manuscript that would
eventually become
Junky
in Mexico City before Vollmer's
death. Though he had briefly worked on the short story "And the Hippos Were Boiled in
Their Tanks" with Jack Kerouac, he did not have literary aspirations. Even while working
on
Junkie
he assumed that the autobiographical novel
would be an anomaly, not the beginning of a literary career.
After his trial over Vollmer's death, Burroughs thought it
prudent to leave Mexico. He spent more time traveling in South America researching the
hallucinatory drug yage and corresponding with Allen Ginsberg, who was by this point
acting as his literary agent, about his search for the drug and its effects. These
letters formed the basis of Burroughs and Ginsberg's book
The
Yage Letters
. After the yage quest, Burroughs returned, briefly, to New York
where he initiated an intense but mostly one-sided romantic and sexual relationship with
Ginsberg before leaving the United States for a brief stay in Rome and then Tangier.
While in Tangier Burroughs completed the text that would
become
The Naked Lunch.
Interzone,
as he called the working manuscript, was, in
opposition to his earlier works
Junkie
and
Queer,
a non-linear collection of loosely connected episodes.
Allen Ginsberg, who, along with Peter Orlovsky and Jack Kerouac, had traveled to Tangier
to help collect and type a clean copy of the manuscript, presented
The Naked Lunch
to Maurice Girodias of the Olympia Press.
Though Girodias was not initially interested in the work, he did decide to print it
after all in 1959. An American edition, based on a 1958 manuscript of the novel
(currently part of the Allen Ginsberg Papers held by the RBML) was published by Grove
Press in 1962.
Burroughs then moved to Paris where he continued writing and
producing the episodic sketches that, combined with material from
The Naked Lunch
manuscripts, comprise
The Soft
Machine,
The Ticket that Exploded,
and
Nova
Express.
While in Paris living in a guesthouse christened the Beat Hotel with
Ginsberg, Orlovsky, Gergory Corso, and Harold Chapman, Burroughs first came into contact
with Brion Gysin. Gysin, a painter, had a profound impact on Burroughs and Gysin's
"cut-up technique" where strips of two different texts were aligned to create a new,
composite text became a prominent feature of Burroughs's future writing.
In 1974 Burroughs returned to the United States. He accepted a
teaching post at City College of New York that Allen Ginsberg had recommended him for
and settled into an apartment nicknamed The Bunker on Manhattan's Lower East Side.
During this time Burroughs became acquainted with James Grauerholz, a young beat devotee
who became Burroughs's devoted manager, secretary, and companion.
Burroughs moved to Lawrence Kansas in 1981 and remained there
until his death in 1997. During the later part of his life he wrote less and less,
focusing on visual art and spoken word performances. He also appears in the Gus Van Sant
movie
Naked Cowboy.
Return to top