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My Darling Clementine (1946)
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Overview
Release Date:
30 avril 1947 (France) suiteAccroche:
The Roaring West At Its Reckless Best! suiteAwards:
2 wins suiteAvis des utilisateurs:
Casts such a spell. suiteEnsemble
(in credits order) (verified as complete) | Henry Fonda | ... | Wyatt Earp |
 | Linda Darnell | ... | Chihuahua |
 | Victor Mature | ... | Dr. John 'Doc' Holliday |
| Cathy Downs | ... | Clementine Carter |
 | Walter Brennan | ... | Old Man Clanton |
 | Tim Holt | ... | Virgil Earp |
| Ward Bond | ... | Morgan Earp |
| Alan Mowbray | ... | Granville Thorndyke |
| John Ireland | ... | Billy Clanton |
| Roy Roberts | ... | Mayor |
| Jane Darwell | ... | Kate Nelson |
| Grant Withers | ... | Ike Clanton |
| J. Farrell MacDonald | ... | Mac the Barman |
| Russell Simpson | ... | John Simpson |
| reste de la distribution par ordre alphabétique: | |||
| Robert Adler | ... | Stagecoach Driver (uncredited) |
| C.E. Anderson | ... | Townsman (uncredited) |
| Don Barclay | ... | Opera House Owner (uncredited) |
| Hank Bell | ... | Opera House Patron (uncredited) |
| Danny Borzage | ... | Accordionist (uncredited) |
| Frank Conlan | ... | Pianist (uncredited) |
| Jack Curtis | ... | Bartender (uncredited) |
| Francis Ford | ... | Dad, Old Soldier (uncredited) |
| Earle Foxe | ... | Gambler (uncredited) |
| Don Garner | ... | James Earp (uncredited) |
| Ben Hall | ... | Barber (uncredited) |
| Aleth Hansen | ... | Guitarist (uncredited) |
| Duke R. Lee | ... | Townsman (uncredited) |
| Fred Libby | ... | Phin Clanton (uncredited) |
 | Mae Marsh | ... | Simpson's Sister (uncredited) |
| Margaret Martin | ... | Woman (uncredited) |
| Kermit Maynard | ... | Townsman (uncredited) |
| Louis Mercier | ... | François, the Chef (uncredited) |
| Jack Pennick | ... | Stagecoach Driver (uncredited) |
| Frances Rey | ... | Woman (uncredited) |
| Mickey Simpson | ... | Sam Clanton (uncredited) |
| Charles Stevens | ... | Indian Joe (uncredited) |
| Arthur Walsh | ... | Hotel Clerk (uncredited) |
| Harry Woods | ... | Luke (uncredited) |
Réalisé par | |||
| John Ford | |||
Scénaristes | ||
| Samuel G. Engel | (screenplay) and | |
| Winston Miller | (screenplay) | |
| Sam Hellman | (story) | |
| Stuart N. Lake | (book) | |
Produit par | |||
| Samuel G. Engel | .... | producer | |
Musique originale | |||
| Cyril J. Mockridge | (as Cyril Mockridge) | ||
| David Buttolph | (uncredited) | ||
Image | |||
| Joseph MacDonald | (director of photography) (as Joe MacDonald) | ||
Montage | |||
| Dorothy Spencer | |||
Direction artistique | |||
| James Basevi | |||
| Lyle R. Wheeler | (as Lyle Wheeler) | ||
Décorateur de plateau | |||
| Thomas Little | |||
Création des costumes | |||
| René Hubert | (as Rene Hubert) | ||
Maquillage | |||
| Ben Nye | .... | makeup artist | |
Assistant réalisateur | |||
| William Eckhardt | .... | assistant director (uncredited) | |
| Jack Sonntag | .... | second assistant director (uncredited) | |
Art Department | |||
| Fred J. Rode | .... | associate set decorator | |
Technicien du son | |||
| Eugene Grossman | .... | sound | |
| Roger Heman Sr. | .... | sound (as Roger Heman) | |
Effets spéciaux | |||
| Fred Sersen | .... | special photographic effects | |
Cascadeur | |||
| Jack Montgomery | .... | stunts (uncredited) | |
| Gil Perkins | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Sam Benson | .... | wardrobe (uncredited) | |
Music Department | |||
| Alfred Newman | .... | musical director | |
| Edward B. Powell | .... | music arranger: orchestral arrangements (as Edward Powell) | |
Divers | |||
| Darryl F. Zanuck | .... | presenter | |
| Barlow Simpson | .... | double: Russell Simpson (uncredited) | |
- Twentieth Century-Fox Film Corporation (1946) (USA) (theatrical)
- Twentieth Century-Fox Film Corporation (1953) (USA) (theatrical) (re-release)
- 20th Century Fox Home Entertainment (2007) (USA) (DVD)
- Allianz Filmverleih (1964) (West Germany) (theatrical) (re-release)
- Centfox (1949) (West Germany) (theatrical)
- Key Video (video)
- Twentieth Century Fox Home Entertainment (2004) (USA) (DVD)
Additional Details
Autre(s) titre(s) :
John Ford's My Darling Clementine (USA) (complete title)Poursuite infernale, La (France) [fr]
suite
Parents Guide:
Add content advisory for parentsDurée:
97 min | 103 min (pre-release version) | Spain:102 minPays:
USALangue:
AnglaisCouleur:
Noir et BlancAspect Ratio:
1.37 : 1 suiteSon:
Mono (Western Electric Recording)Classification:
Canada:PG (video rating) | Norway:16 | West Germany:12 (f) | USA:Approved (certificate #11591) | South Korea:12 (2003) | Australia:G | Finland:K-16 | Germany:12 | Portugal:M/12 | Sweden:15 | UK:A (original rating) | UK:U (re-rating) (1995) | Argentina:AtpMOVIEmeter: 
5% since last week
why?
Curiosités
Anecdotes:
This film was selected to the National Film Registry, Library of Congress, in 1991. suiteGoofs:
Factual errors: The ages of the Earp brothers is reversed. In the movie, James is in his late teens, Virgil is in his twenties, Wyatt is about thirty, and Morgan is well into his thirties. In actuality, at the time of the OK Corral gunfight, James was 40, Virgil was 38, Wyatt was 33, and Morgan was 30. suiteGuillemet:
[At his brother's grave]Wyatt Earp: 1864, 1882. 18 years. You didn't get much of a chance did you James? I wrote to Pa and Cory Sue. They're gonna be all busted up over it. Cory Sue's young, but Pa. I guess he'll never get over it. I'll be comin' out to see you regular James. So will Morg and Virg. I'm gonna be around here for a while. Can't tell. Maybe when we leave this country young kids like you will be able to grow up and live safe.
suite
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I find this film entrancing. Smoke rising. The desert at night. Clouds at midnight. This new (to us) version is quieter, less score. I would love to be out there on that porch, tilting my chair back, waiting for the stage to come in. Beautiful transfer on the DVD, I found myself struck, moved by frame after frame. The sound of a single horse across monument valley, the fury of Doc Holiday's stage coach tearing through the landscape. A lamp-lit bar and a woman moaning under the knife, like a dying ember. Three figures stepping out like giants into the landscape. Robert Ryan seated in the wind and dust at the end of the Wild Bunch, it all comes from here. There is so much to learn from this film.