IMDb > Vangelo secondo Matteo, Il (1964)
Vangelo secondo Matteo, Il
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Vangelo secondo Matteo, Il (1964)

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Note des utilisateurs: 8.0/10 (2,130 votes)
Photos (see all 24 | slideshow)

Overview

Réalisateur:
Pier Paolo Pasolini
Scénariste:
Pier Paolo Pasolini (writer)
Release Date:
3 mars 1965 (France) suite
Genre:
Drame | History suite
Plot:
The life of Jesus Christ according to the Gospel of Matthew. Pasolini shows Christ as a marxist avant-la-lettre and therefore uses half of the text of Matthew. full summary | add synopsis
Awards:
Nominated for 3 Oscars. Another 6 wins & 2 nominations suite
Avis des utilisateurs:
Bizarre, Unusual and......I Liked it! suite

Ensemble

  (in credits order) (verified as complete)
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Réalisé par
Pier Paolo Pasolini 
 
Scénaristes
(in alphabetical order)
Pier Paolo Pasolini  writer

Produit par
Alfredo Bini .... producer
 
Musique originale
Luis Enríquez Bacalov  (as Luis E. Bacalov)
Carlo Rustichelli (uncredited)
 
Image
Tonino Delli Colli 
 
Montage
Nino Baragli 
 
Création des décors
Luigi Scaccianoce 
 
Décorateur de plateau
Andrea Fantacci 
 
Création des costumes
Danilo Donati 
 
Maquillage
Marcello Ceccarelli .... makeup artist
Lamberto Marini .... assistant makeup artist
Mimma Pomilia .... hair stylist
Rocchetti .... wig maker
 
Directeur de production
Manolo Bolognini .... production manager
Eliseo Boschi .... production supervisor
Enzo Ocone .... production manager
 
Assistant réalisateur
Maurizio Lucidi .... assistant director
Paolo Schneider .... assistant director
Elsa Morante .... assistant director (uncredited)
 
Art Department
Dante Ferretti .... assistant production designer
 
Technicien du son
Fausto Ancillai .... sound mixer
Mario Del Pozzo .... sound (as Mario Del Pezzo)
 
Visual Effects
Enrico Catalucci .... optical effects (as E. Catalucci)
 
Camera and Electrical Department
Giovanni Canfarelli Modica .... first assistant camera (as Gianni Canfarelli Modica)
Vittorugo Contino .... assistant camera (as Victor Hugo Contino)
Angelo Novi .... set photographer
Giuseppe Ruzzolini .... camera operator
 
Costume and Wardrobe Department
Piero Cicoletti .... assistant costumer
Piero Farani .... wardrobe
 
Editorial Department
Andreina Casini .... assistant editor
Enrico Catalucci .... negative cutter (as E. Catalucci)
 
Divers
Lina D'Amico .... script supervisor
Bruno Frascà .... production secretary
Rancati .... weapons
Vincenzo Taito .... administration inspector
 
Thanks
Pope John XXIII .... dedicatee
 
Crew verified as complete



Production CompaniesDistributorsTechnicien des effets spéciauxOther Companies
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Additional Details

Autre(s) titre(s) :
Évangile selon saint Matthieu, L' (France)
The Gospel According to St. Matthew (USA)
suite
Durée:
137 min | USA:136 min | USA:91 min (edited version)
Pays:
France | Italy
Langue:
Italien
Couleur:
Noir et Blanc
Aspect Ratio:
1.66 : 1 suite
Son:
Mono
Emplacements De Pelliculage:
Apulia, Italy suite
MOVIEmeter: ?
^ 2% since last week why?
Company:
Arco Film suite

Curiosités

Anecdotes:
In keeping with his idea of Jesus Christ as the greatest revolutionary of all time, Pier Paolo Pasolini considered casting Jack Kerouac or Allen Ginsberg in the role. He changed his mind when he met Enrique Irazoqui, a Spanish student of literature, who has written a thesis about Pasolini's novel "Ragazzi di vita" and was very curious to meet him. suite
Movie Connections:
Referenced in Teorema (1968) suite

foire aux questions

This FAQ is empty. Add the first question.
8 out of 12 people found the following comment useful:-
Bizarre, Unusual and......I Liked it!, 28 April 2001
9/10
Author: (modrock62@aol.com) de Bayonne, NJ

While not nearly as good as "King Of Kings" or "Jesus Of Nazareth", this film still takes it's place among the top 5 films ever made on the life of Christ. While you will not come away with that "uplifting" feeling you would get from the aforementioned movies, it will still stay with you for a long time after seeing it. This is one of the most bizarre and unusual films of the genre simply because of the way it was photographed and because of it's obvious shoe string budget. Dialogue is at a minimum as are the special effects but that only adds to the "uneasiness" one feels while watching this movie. You get the feeling that a documentary camera crew armed with a 16 millimeter camera actually followed Mary, Joseph, Jesus and the Apostles around to film them during their day! Weird camera angles, abrupt cuts, odd fade outs and fade ins all add to the unique look and feel of the movie, as does the grainy black and white film. No large scale, big budget scenes with 1000's of extra's here, just a simple technique of storytelling though certain scenes appear rushed and hastily done like Christ's journey to Mount Cavalry, the Crucifiction and his ressurection. Certain differences in presentation also will tell you that this is no "ordinary" film on the life of Christ. When Jesus goes to the desert, he is not tempted by satan's voice or a snake but by an unassuming man like you or I. And don't expect to see a white, long haired, bearded, blue eyed man as Christ. Here he is presented as a man who is caucasian but darker, with shorter hair and only remnants of a beard but it works to the overall effect of the movie. Here also, Jesus is presented more as a revaloutionary then as a prophet. Overall a unique presentation on the life of Christ that will leave a lasting impression on you for better or worse. See it!

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Sussana Pasolini as the old Mary! HeelHearted
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A Masterpiece. This Is Poetry. jeremiah28
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