Photos (see all 6 | slideshow) |
Christopher Lambert | ... | Vercingétorix (as Christophe Lambert) | |
Klaus Maria Brandauer | ... | Julius Ceasar | |
Max von Sydow | ... | Guttuart | |
Inés Sastre | ... | Epona | |
Denis Charvet | ... | Cassivelaun | |
Bernard-Pierre Donnadieu | ... | Dumnorix | |
Maria Kavardjikova | ... | Rhia | |
Yannis Baraban | ... | Litavic | |
Vincent Moscato | ... | Moscatos | |
Jean-Pierre Rives | ... | Teuton Chief | |
reste de la distribution par ordre alphabétique: | |||
Youri Angelov | |||
Atanass Atanassov | |||
Jean Pierre Bergeron | ... | Diviciac (as J.P. Berger) | |
Patrice Bissonnette | |||
Stefan Danailov | |||
Paraskeva Djukelova | |||
Valentin Ganev | |||
Maxim Gentchev | (as Maxime Guentchev) | ||
Plamena Getova | (as Plamena Guetova) | ||
Assen Koukouchev | |||
Boris Lukanov | |||
Mila Lutzkanova | |||
Tzvetana Maneva | |||
André Mélançon | |||
Vassil Mihajlov | |||
Pepa Nikolova | |||
Aubert Pallascio | |||
Djoko Rosic | (as Jocko Rossitch) | ||
Plamen Serakov | (as Plamen Sirakov) | ||
Iossif Surchadzhiev | (as Yossiv Sartchadijev) | ||
Roussi Tchanev | |||
Georges Tcherkelov | |||
Desislava Tenekedjieva | |||
Marin Yanev |
Réalisé par | |||
Jacques Dorfmann | |||
Scénaristes(in alphabetical order) | ||
Anne de Leseleuc | story | |
Jacques Dorfmann | screenplay | |
Jacques Dorfmann | story | |
Rospo Pallenberg | screenplay | |
Norman Spinrad | screenplay |
Produit par | |||
Denis Charvet | .... | assistant producer | |
Jacques Dorfmann | .... | producer | |
Claude Léger | .... | associate producer | |
Rodolphe Polin-Michaut | .... | line producer | |
Patrick Sandrin | .... | associate producer | |
Patrick Sandrin | .... | executive producer: Patrick Sandrin Sofilm Bulgaria | |
Musique originale | |||
Pierre Charvet | |||
Image | |||
Stefan Ivanov | |||
Plamen Somov | |||
Montage | |||
Marie Castro-Vasquez | (as Marie Castro) | ||
Création des décors | |||
Didier Naert | |||
Direction artistique | |||
Anastas Yanakyev | |||
Décorateur de plateau | |||
Didier Naert | |||
Création des costumes | |||
Edith Vesperini | |||
Maquillage | |||
Sano De Perpessac | .... | key hair stylist | |
Didier Lavergne | .... | key makeup artist | |
Krassimir Mihaylov | .... | assistant makeup artist (as Krassi Mihaylov) | |
Paula Parra | .... | makeup artist | |
Mariana Zaharieva | .... | assistant hair stylist | |
Directeur de production | |||
Lyubomir Anev | .... | assistant unit manager (as Lubo Anev) | |
Eva Bakardjieva | .... | assistant unit manager | |
Tomas Chivatchev | .... | assistant unit manager | |
Gueorgui Chopov | .... | assistant unit manager | |
Assen Dremdjiev | .... | assistant unit manager | |
Ginette Guillard | .... | production manager: Canada | |
George Jardon | .... | post-production supervisor | |
Ludmila Kirilova | .... | unit manager: second unit | |
Rousy Lyutskanov | .... | production manager (as Roussi Lutskanov) | |
Aleksandr Marinov | .... | assistant unit manager (as Alexandre Marinov) | |
Laetitia Martinoni | .... | assistant production manager | |
Nikolai Momtchilov | .... | assistant unit manager | |
Philippe Philipov | .... | unit manager | |
Vasil Radoev | .... | assistant unit manager | |
Petya Stamenkova | .... | assistant unit manager | |
Assistant réalisateur | |||
Victor Bojinov | .... | first assistant director | |
Gilles Cannatella | .... | first assistant director | |
Aglika Delahaye | .... | trainee assistant director: second unit | |
Karine Dinev | .... | second assistant director: second unit | |
Ivelina Festchieva | .... | assistant director | |
Krasimir Hazarbasanov | .... | first assistant director: second unit | |
Christo Jivkov | .... | assistant director | |
Pierre Magny | .... | second unit director | |
Ilka Valcheva | .... | assistant director | |
Alexander Kossev | .... | second second assistant director: second unit (uncredited) | |
Art Department | |||
Krasimir Andreev | .... | art assistant | |
Venelin Andréev | .... | art assistant | |
Bertrand Clerq-Roques | .... | first assistant art director | |
Michel Conche | .... | property master | |
Vessela Ivanova | .... | art assistant | |
Robert Le Corre | .... | set propman | |
Iren Muratova | .... | art assistant | |
Christo Petrov | .... | assistant property master | |
Prolet Gueorguieva Polia | .... | property master | |
Borislav Radovanov | .... | construction manager | |
Ivan Ranghelov | .... | set dresser | |
Ilian Siméonov | .... | art assistant | |
Octavio Tapia | .... | on-set propman | |
Guéorgui Todorov | .... | art assistant | |
Petko Todorov | .... | assistant property master | |
Ventzislav Ulov | .... | assistant property master | |
Ivan Zlatev | .... | assistant property master | |
Technicien du son | |||
Pierre-Jules Audet | .... | dialogue editor | |
Diane Boucher | .... | post-synchronization supervisor | |
Martine Collin | .... | assistant foley artist: Canada | |
Michel Descombes | .... | sound re-recording mixer | |
Philippe Espantoso | .... | dialogue mixer | |
Maxime Ferland | .... | boom operator | |
Julian Fischer | .... | sound re-recording mixer | |
Nicolas Gagnon | .... | assistant foley artist: Canada | |
Shaun-Nicholas Gallagher | .... | recording engineer: Canada | |
Claude Hazanavicius | .... | sound recordist | |
Philippe Heissler | .... | sound editor: France | |
Réjean Juteau | .... | dialogue mixer | |
Pierre Laroche | .... | assistant sound re-recording mixer | |
Nicolas Leroy | .... | assistant sound editor: France | |
Vincent McKeown | .... | assistant foley artist: Canada | |
Tchae Measroch | .... | foley artist | |
Mireille Morin | .... | adr editor: Canada | |
Nathalie Morin | .... | recording engineer: Canada | |
Pierre Paquet | .... | dialogue mixer | |
Hubert Persat | .... | assistant sound editor: France | |
Lucie Remington | .... | assistant foley artist: Canada | |
Bruno Ruffolo | .... | adr recordist: Canada | |
Stan Sakellaropoulos | .... | assistant dialogue editor | |
Monique Vézina | .... | foley artist: Canada | |
Georgi Vladichki | .... | sound recordist: second unit | |
Petar Yosifov | .... | sound technician: second unit | |
James Ziegler | .... | stereo sound consultant: Dolby | |
Effets spéciaux | |||
Pasquale Catalano | .... | special effects | |
Massimo Ciaraglia | .... | special effects technician | |
Edmondo Natali | .... | special effects coordinator | |
Germano Natali | .... | special effects foreman | |
Fabio Traversari | .... | special effects supervisor | |
Visual Effects | |||
Stéphanie Betton | .... | digital compositor | |
Daniel Buthiaux | .... | digital compositor | |
Pascal Charpentier | .... | visual effects supervisor | |
Stéphanie Dargent | .... | matte painter | |
Djibrill Kane | .... | scan and shoot | |
Patricia Medjahed | .... | digital compositor | |
Julien Pacaud | .... | digital compositor | |
Laetitia Young | .... | digital compositor | |
Paul Swendsen | .... | visual effects supervisor (uncredited) | |
Cascadeur | |||
Dian Hristov | .... | stunts | |
George Karlukovski | .... | stunts | |
Dimitar Kehayov | .... | stunt coordinator: horses | |
Todor Lazarov | .... | stunts | |
Velizar Peev | .... | stunts | |
Svetoslav Rangelov | .... | stunts | |
Stanimir Stamatov | .... | stunts | |
Raicho Vasilev | .... | stunts | |
Kaloian Vodenicharov | .... | assistant stunt coordinator | |
Yordan Zahariev | .... | stunts | |
Casting Department | |||
Victor Bojinov | .... | casting: Bulgaria | |
Ginette D'Amico | .... | casting: Canada | |
Editorial Department | |||
Marie Castro-Vasquez | .... | image editor | |
Magali Debrabandére | .... | assistant editor | |
Jean-Baptiste de Lescure | .... | assistant editor | |
Aure Gourmanel | .... | assistant editor | |
Myriam Hoss-Desmarais | .... | post-production coordinator: Canada | |
Grégoire Lordereau | .... | assistant editor | |
Christian Rever | .... | color timer | |
Music Department | |||
Steve Forward | .... | music recordist | |
Marie-Jeanne Serrero | .... | orchestrator (as Marie-Jeanne Serero) | |
Divers | |||
Marie Beaulieu | .... | continuity supervisor | |
Catherine Brelet | .... | assistant: Max Von Sydow | |
Julia Chew | .... | assistant: Claude Leger | |
Karine Dinev | .... | production assistant | |
Nina Kirova | .... | script supervisor | |
Micheline Lajoie | .... | production accountant: Canada | |
Éric Michel | .... | production assistant | |
Céline Oudin | .... | production assistant | |
Manon Proulx | .... | production accountant: Canada | |
Sylvain Proulx | .... | production administrator: Canada | |
Françoise Tessier | .... | continuity supervisor | |
Cedric Brelet von Sydow | .... | video documentary | |
Nazzareno Zamperla | .... | sword master | |
Alexander | Excalibur | The Scorpion King | The Last Legion | King Arthur |
IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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Full cast and crew | Company credits | External reviews |
IMDb Aventure section | IMDb France section | Add this title to MyMovies |
First of all, I'd like to say that I saw the original version of the movie, the title of which was much more appropriate ("Vercingétorix"), as this movie focuses on the Celtic hero and not on Druids. The movie uses a lot of fancy French words, and their English translation might seem odd to you, but the French version is really not bad! Therefore, you might not enjoy this movie if compared to, say, Gladiator. For your viewing pleasure, forget you ever saw Gladiator and Braveheart.
And remember that the Celts were known for their eloquent wording and gestures, so do not rant about how 'fake' the acting was. The thing is, the movie is pretty realistic in this sense, so realistic in fact that it's almost a documentary, and a bit dull for those of you expecting attractive hunks driven by raging passion. Some of those who have seen it said the actors, especially Lambert, had bad hair in the movie, as though they were rock stars of the eighties. Hello, people, this is not a Hollywood film where the hero has to look cleancut and shaven and nicely dressed! This IS how the Celts living in Gaul looked like, so get over it! There were some nice scenery in the movie, though they were not exploited to add romanticism and grandeur. The one thing I'm really glad about is that the two 'love' stories in the film were NOT used to spice up the mood. They were discrete and original, though some may criticize the lack of emotion shown by the characters. The costumes were a bit fake, they were obviously made of cheap material, especially the uniforms of the Romans, but I figured that's more historically accurate than those shiny, clean, perfectly sown costumes in Hollywood epics. The soundtrack is beautiful, but I know that only because I have it on CD. Sadly, it's almost non-existent in the movie, and the best song on the soundtrack is not even used in the film! I fail to undertand why the soundtrack hadn't been exploited in the movie; it would have clearly played a major role in the (occasionally present) emotional manipulation of the audience! If you're interested in Celtic heroes, do watch it, it's the only film about Vercingetorix and it's not THAT bad!