Photos (see all 10 | slideshow) |
Alix Koromzay | ... | Remi Panos | |
Bruno Campos | ... | Det. Klaski | |
Will Estes | ... | Nicky | |
Gaven E. Lucas | ... | Sal Aguirre (as Gaven Eugene Lucas) | |
Edward Albert | ... | Darksuit | |
Jon Polito | ... | Morrie Deaver | |
Jody Wood | ... | Det. Clecknal | |
Jim O'Heir | ... | Lou | |
Brian Leckner | ... | Jason Mundy | |
Paul Schulze | ... | Phillip | |
Michael Tucci | ... | Dr. Shapiro | |
Joseph Hodge | ... | Akkad | |
Alex Draper | ... | O'Neal | |
Dick Stilwell | ... | Sergeant | |
Michael Garvey | ... | Sergeant | |
Donn C. Harper | ... | Det. James (as Donn Carl Harper) | |
Scott Klace | ... | Daryl | |
Marc Schwarz | ... | Operative | |
Bill Cho Lee | ... | Lincoln Trahm | |
J.D. Rosen | ... | Nurse | |
Aaron Fors | ... | Leon | |
Michael Regan | ... | Mimic | |
reste de la distribution par ordre alphabétique: | |||
Mike J. Regan | ... | Mimic (as Michael Regan) | |
Bob Rumnock | ... | Carl (uncredited) |
Réalisé par | |||
Jean de Segonzac | |||
Scénaristes(WGA) | ||
Donald A. Wollheim | (short story "Mimic") | |
Joel Soisson | (written by) |
Produit par | |||
Beth Anne Calabro-Oulman | .... | executive producer (as Beth Anne Calabro) | |
Cary Granat | .... | executive producer | |
Mike Leahy | .... | producer | |
Joel Soisson | .... | producer | |
Bob Weinstein | .... | executive producer | |
Harvey Weinstein | .... | executive producer | |
Musique originale | |||
Walter Werzowa | |||
Image | |||
Nathan Hope | |||
Montage | |||
Kirk M. Morri | |||
Distribution des rôles | |||
Sarah Katzman | |||
Création des décors | |||
Deborah Raymond | |||
Dorian Vernacchio | |||
Décorateur de plateau | |||
Greta Grigorian | |||
Création des costumes | |||
Julia Schklair | |||
Maquillage | |||
Wendi Lynn Allison | .... | head makeup artist | |
Richard Arguijo | .... | special makeup effects artist | |
Jeff L. Deist | .... | special makeup effects artist | |
Justin Ditter | .... | special makeup effects artist | |
Sadie Ebeyer-Deist | .... | special makeup effects artist | |
Thomas Floutz | .... | special makeup effects artist (as Tom Floutz) | |
Robert Freitas | .... | special makeup effects artist | |
Dave Grasso | .... | special makeup effects artist (as David Grasso) | |
Anna Harasimiak | .... | key makeup artist | |
Ray Hoffman | .... | special makeup effects artist | |
Paul Jones | .... | special makeup effects artist | |
Louis Kiss | .... | special makeup effects artist | |
Alicia A. Kochis | .... | hair stylist | |
Alicia A. Kochis | .... | makeup artist | |
Steve Lawrence | .... | special makeup effects artist | |
Mike J. Regan | .... | special makeup effects artist (as Michael Regan) | |
Solina Tabrizi | .... | hair department head | |
Gary J. Tunnicliffe | .... | makeup/creature effects designer | |
Claire Jane Vranian | .... | special makeup effects artist (as Claire-Jane Deacon) | |
Christopher K. Grap | .... | special makeup effects assistant (uncredited) | |
Directeur de production | |||
David Crockett | .... | unit production manager | |
Kirk M. Morri | .... | post-production supervisor | |
Assistant réalisateur | |||
Maximillian D. Day | .... | first assistant director (as Max Day) | |
Carla R. Ponzio | .... | second assistant director (as Carla Rose Ponzio) | |
Paula Smith | .... | second second assistant director | |
Art Department | |||
John K. Berry | .... | additional swing | |
Jamie Boyce | .... | swing gang | |
Holly Brand | .... | on-set dresser | |
Sergio L. Castaneda | .... | set painter | |
Michael T. Daigle | .... | lead painter | |
Bryce Holtshousen | .... | lead man | |
Christopher Larsen | .... | assistant property master | |
Craig Lawson | .... | swing gang | |
Megan Suzanne Nelson | .... | set painter (as Megan Nelson) | |
Byron Perez | .... | carpenter | |
Francisco Pérez | .... | carpenter | |
Catherine Smith | .... | art department assistant | |
Michelle Spears | .... | property master | |
Michael Vaccaro | .... | construction coordinator | |
Foster Vick | .... | swing gang | |
Thomas 'Noe' Welch | .... | set dresser (as Thomas K. Welch) | |
Thomas 'Noe' Welch | .... | swing gang | |
Technicien du son | |||
Chris Barron | .... | Skywalker sound technical staff | |
Ed Bunkley | .... | Skywalker sound technical staff | |
Tim Burby | .... | Skywalker sound technical staff | |
Brian Chumney | .... | Skywalker sound technical staff | |
Ben Conrad | .... | foley mixer | |
John Countryman | .... | Skywalker sound technical staff | |
Edwin Dunkley | .... | technical staff: Skywalker Sound (as Ed Dunkley) | |
Mark Fay | .... | boom operator | |
Walter W. Grant | .... | adr recordist | |
Jonathan Greber | .... | Skywalker sound technical staff | |
David Hunter | .... | Skywalker sound technical staff | |
Stephen Kearney | .... | sound effects editor | |
Marnie Moore | .... | foley artist | |
Steve Morris | .... | Skywalker sound technical staff | |
Margie O'Malley | .... | foley artist | |
Paul Pavelka | .... | Skywalker sound technical staff | |
Gary Rizzo | .... | sound re-recording mixer | |
Steve Romanko | .... | Skywalker sound technical staff | |
Ronald G. Roumas | .... | Skywalker sound technical staff | |
Larry Schalit | .... | dialog editor | |
Larry Scharf | .... | production sound mixer | |
Jurgen Scharpf | .... | Skywalker sound technical staff | |
Tony Sereno | .... | Skywalker sound technical staff | |
Robert Shoup | .... | sound designer | |
Robert Shoup | .... | supervising sound editor | |
Kent Sparling | .... | Skywalker sound technical staff | |
John Torrijos | .... | Skywalker sound technical staff | |
Viet Tran | .... | foley recordist | |
Brian Whittle | .... | boom operator | |
Mary Works | .... | assistant sound editor | |
Gwendolyn Yates Whittle | .... | adr editor (as Gwen Yates Whittle) | |
Brian Wittle | .... | boom operator (uncredited) | |
Effets spéciaux | |||
Mike Bartak | .... | special effects assistant | |
Shea Clayton | .... | special effects technician: mold maker | |
David Waine | .... | special effects coordinator | |
Chris Walkowiak | .... | special effects assistant | |
Visual Effects | |||
Nathan Effron | .... | visual effects producer | |
Masashi Fujiura | .... | visual effects artist | |
Jamison Scott Goei | .... | visual effects supervisor (as Jamison Goei) | |
Satoshi Harada | .... | visual effects artist | |
Judith Holzman | .... | digital artist | |
Ivo Horvat | .... | matte painter | |
Hitoshi Inoue | .... | visual effects artist | |
Hitoshi Inoue | .... | visual effects supervisor | |
John Lechago | .... | visual effects artist | |
Brad Moylan | .... | digital compositor: Neo Digital | |
Akiko Onoda | .... | visual effects artist | |
Sookie Park | .... | digital animator | |
Tim Rank | .... | visual effects animator | |
Drew Redford | .... | digital compositor | |
Eric Riel | .... | effects animator | |
Paul Roupinian | .... | visual effects producer | |
Emile Edwin Smith | .... | digital artist | |
Jesse Toves | .... | visual effects animator | |
Pam Vick | .... | visual effects compositor | |
Yoshiya Yamada | .... | visual effects artist | |
Miki Yoshiyama | .... | visual effects artist | |
Chris Zapara | .... | digital artist | |
Cascadeur | |||
Al Goto | .... | utility stunts | |
Brian Hite | .... | stunt double: Klaski | |
Hiro Koda | .... | stunt double: Lincoln Trahm | |
Koichi Sakamoto | .... | stunt coordinator | |
Spencer Sano | .... | stunt double: Mimic | |
David Wald | .... | stunt driver | |
Eileen Weisinger | .... | stunt double: Remi | |
J.J. Perry | .... | stunts (uncredited) | |
Stephen Pisani | .... | stunt performer (uncredited) | |
Mitch Toles | .... | precision gunman (uncredited) | |
Casting Department | |||
David Anthony | .... | extras casting | |
Leigh French | .... | voice casting | |
Joseph Hicks | .... | extras casting | |
Heather Johnstone | .... | casting assistant | |
Costume and Wardrobe Department | |||
Mandi Line | .... | assistant costume designer | |
Antonia Romeo | .... | costume production assistant | |
Andrew Slyder | .... | costume supervisor | |
Editorial Department | |||
Alyssa Clark | .... | assistant editor | |
Michael Hatzer | .... | color timer | |
Music Department | |||
Damien Chock | .... | music recording engineer | |
Jay Duerr | .... | music editor | |
Jason Ford | .... | assistant music recording engineer | |
Steven Gutheinz | .... | orchestrator | |
Jen Miller | .... | music librarian | |
Jonathan Price | .... | orchestrator | |
Pat Weaver | .... | executive music producer | |
Walter Werzowa | .... | orchestrator | |
Transportation Department | |||
Charles D. Balsley | .... | driver | |
David Balsley | .... | driver (as Dave Balsley) | |
C. David Earle | .... | driver (as Dave Earle) | |
Steve Earle | .... | driver | |
Suzette Earle | .... | driver | |
Ted Moser | .... | transportation coordinator | |
Randy Musselman | .... | driver | |
Shaun Ryan | .... | driver | |
Beverly Seifert | .... | driver | |
Dorothy Thompson | .... | driver | |
Gene Ward | .... | transportation captain | |
Jeff Woodward | .... | driver | |
Thanks | |||
Ray Garst | .... | special thanks | |
Recent Posts (updated daily) | User |
---|---|
Awful writing | azd200 |
Mira Sorvino didn't reprise her role for the sequel... | markacraig |
Nice touch | Hoax86 |
Mimic | Kindergarten Cop | The Basketball Diaries | Premonition | The Haunting |
IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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Full cast and crew | Company credits | External reviews |
IMDb Horror section | IMDb USA section | Add this title to MyMovies |
Series Note: see main body of review.
Elementary school teacher and noted author "Remy" (Alix Koromzay) has man problems. Unfortunately, they're getting worse as the men she has problems with are ending up dead and she's the prime suspect. At the same time, we see that at least one of the superbugs from Mimic (1997) has survived. Remy, her wannabe boyfriends, a couple students, the police, the superbugs and some X-Files-ish mysterious government types are on a collision course in this film.
I usually try to write my reviews within 24 hours of watching a film, at most. The fresher the film is in my mind the easier it is to record my feelings about it. I also have a tendency to forget films fairly quickly if I haven't seen them a few times. If I wait too long the review is not likely to make it even past the larval stage. Mimic 2 I watched a couple days ago already. The main reason that I'm bringing this up is that the more I think about it, the more I can't remember why I didn't give it an even higher rating (I jot my rating down immediately). It seems in retrospect that this film should have been at least a 9 for me. But usually my first judgment is right, at least at the time, and so an 8 it is on this viewing.
Of course, even an 8 is a lot higher than most folks are giving this film. A large part of the reason why is that Mimic 2 is completely different in tone than the first Mimic. Although Remy is a returning character (she had a very minor role in the first film), there's no reason that you need to watch the original before this one, unless you just want more background on the superbugs.
I suspect that the other reason why most folks are rating Mimic 2 much lower than I is because writer Joel Soisson and director Jean de Segonzac couldn't care one whit about making the film "realistic". Mimic 2 is a campfest, a cheesathon, and a frequently absurdist celebration of filmic artificiality for its own sake. I happen to love those qualities. If you don't, you'll likely hate this film.
The embrace of artificiality is beautifully present in the production design and lighting. An early indicator is near the end of the opening sequence, as "species extinguisher" Lincoln Trahm is making his way out of the subway system. He emerges onto a "New York City street" amidst glowing neon and other lighting in strong primary colors straight out of Dario Argento's Suspiria (1977). The film takes place primarily on two sets, the "outside surfaces" of which are covered in attractively garish graffiti. The school set has an architectural style of "retro-dilapidated", and there are unusual touches such as the "desk nest" which blocks the hall during later, pivotal scenes.
Much more bizarre and frequently funny are the characters, plot and dialogue. Remy is a noted entomologist and author of at least a popular scientific account of insects, yet she teaches elementary school. She is a serial one-time-dater, apparently with commitment aversions, but she doesn't seem very choosy with her dates. Afterwards, she takes Polaroid photographs of herself making grotesque faces (mimics?) and then writes the name of the date-gone-wrong beneath the image before adding them to her wall of shame. It a behavior that, not unsurprisingly, resembles a serial killer to Detective Klaski (Bruno Campos).
As for the superbug, Soisson and Segonzac decided to take the human mimicry from the previous film more literally. In Mimic 2, the main bug is clearly sentient, becoming just another psycho boyfriend for Remy. It's delightfully goofy, although not without precedent--to an extent it resembles the alien insect from Invader/Lifeforce (1996).
"Delightfully goofy" couldn't be more apt for this film overall. It seems as if Soisson and Segonzac couldn't take the premise quite seriously, so in lieu of the intense, high-action dingy glum of Mimic, they went the tongue-in-cheek route and gave us something not that far removed from, say, a later Frank Henenlotter film. Another angle, which is probably the reason for the stressed artificiality, is that it parallels the superbug's attempts, which are far from perfect, to mimic humankind. It's as if the sets, the lighting, the characters, the plot, and everything else is mimicking reality at the same time it's superficially mimicking the previous film.
Segonzac still achieves an alienating gloom beneath all of the camp, and the film is routinely suspenseful--it's difficult to not be suspenseful when you're dealing with bugs. An important story point on that end is that Mimic has its share of smaller bugs, too--the kind that can easily be behind your desk, in the back of your shelves, in your closet, under your bed, or right outside your door or window. The creature effects are all excellent. It's also wonderfully gory in some parts, although it's mostly bug gore, but that tends to have a higher "ewww" factor for me than human gore. Even more powerful, there are some instances where the two types of gore are effectively "mixed".
While I'm sure I won't help resell the film to viewers who have already seen it and hated it, hopefully I can help sway those on the fence, and help guide those who don't know if they'd like to bother. It's important to develop a taste for camp and for the purposefully unrealistic and ridiculous--it's a common approach from filmmakers. Films like Mimic 2 do not tend to have their odd differences because of incompetence. Rather, there is usually an artistic reason for making particular decisions. That fact won't help you acquire the taste for these kinds of films, but at least it can help you understand why they exist as they do.