color-field painting

color-field painting abstract art movement that originated in the 1960s. Coming after the abstract expressionism of the 1950s, color-field painting represents a sharp change from the earlier movement. The production of the abstract expressionists involved a strong personal emotionalism, a painterly quality, and occasionally, as in the works of Willem de Kooning , elements of cubism . Color-field artists moved toward a more impersonal and austerely intellectual aesthetic. In their works they dealt with what they considered to be the fundamental formal elements of abstract painting: pure, unmodulated areas of color; flat, two-dimensional space; monumental scale; and the varying shape of the canvas itself. Painters associated with the movement include Ellsworth Kelly , Jules Olitski , Kenneth Noland , Frank Stella , and Morris Louis .

Author not available, COLOR-FIELD PAINTING., The Columbia Encyclopedia, Sixth Edition 2006

Related articles from newspapers, magazines and other sources:

Irreplaceable hue. (color field painting)
Artforum International; 9/1/1994; Schwabsky, Barry; 2440 words;
"The Green Mountain Boys." (Color Field paintings at Andrew Emmerich Gallery, New York, New York)
Artforum International; 4/1/1998; Rimanelli, David; 851 words;
Virtually formal. (formalism in recent color-field paintings by various artists)(Cover Story)
Artforum International; 9/1/1998; Relyea, Lane; 3272 words;
Abjection by other means: Sue Williams emerged in the 1980s as a controversial painter of sexually explicit subject matter. In recent years, taking cues from Abstract Expressionism and Color Field painting, she has moved ever deeper into abstraction, but, argues the author, corporeal themes have remained central to her work.
Art in America; 1/1/2002; Schwabsky, Barry; 1890 words;
A quiet crisis: is there a serious breakdown in the dialogue around contemporary painting? Should art critics get back into the business of making value judgments? (Issues & Commentary).(painting and the past)(Critical Essay)
Art in America; 3/1/2003; Rubinstein, Raphael; 6391 words;
Kenneth Noland at Ameringer/Howard.(acrylic painting)(Brief Article)(Review)
Art in America; 5/1/2001; Goodman, Jonathan; 306 words;
"Painting-The Extended Field." (art exhibition)
Artforum International; 2/1/1997; Birnbaum, Daniel; 1021 words;
A year in the life: tropic of painting. (painting, various artists, various galleries, New York, New York) (Critic's Diary) (Cover Story)
Art in America; 10/1/1994; Saltz, Jerry; 9879 words;
Vicente's Apollonian abstractions. (Esteban Vicente, painting exhibition, Berry-Hill Galleries, New York, New York)
Art in America; 10/1/1993; Johnson, Ken; 551 words;
Dennis Ashbaugh at Marisa del Re. (painting exhibition, New York, New York)
Art in America; 10/1/1993; Wei, Lilly; 537 words;

Related articles from HighBeam Research:

Remixing Washington's Color-Field Vanguard [Correction 5/7/07]
The Washington Post; 4/20/2007; Michael O'Sullivan - Washington Post Staff Writer; 657 words;
COLOR FIELD FESTIVAL Works Ch ...
The Washington Post; 4/14/2007; 310 words;
Color-Field Art Show Artists ...
The Washington Post; 5/3/2007; 145 words;
Living Colors; Washington's Color-Field Painters, Like the '60s, Are Back. Why? There's No Black-and-White Answer.
The Washington Post; 9/29/2002; Blake Gopnik; 2166 words;
Color Field.(Brief Article)
House Beautiful; 5/1/2001; Murphy, Brian; 474 words;
Gilliam's New Harvest From Old Color Field
The Washington Post; 4/25/2002; Jessica Dawson; 928 words;
Color field: irises from all over the world fill a breathtaking abbey garden in southwestern France.
House Beautiful; 4/1/2005; Russell, Vivian; 520 words;
Paintings, sculptures gather strength from common alloy.
Columbus Dispatch (Columbus, OH); 6/11/2006; 394 words;
The native roots of modern art: rereading the paintings of Leon Polk Smith.
The American Indian Quarterly; 1/1/2001; Lewis, Randolph; 9008 words;
Pigments of the imagination. (Helen Frankenthaler, painting exhibition)
The New Leader; 9/4/1989; Bloch, Bradley W.; 1453 words;
Paintings by Sam Tchakalian on Exhibit at Fresno Art Museum
Armenian Reporter, The; 5/31/1997; 624 words;
PAINTING IS DEAD ... BUT LONG MAY IT LIVE!
The Washington Post; 11/21/1993; Paul Richard; 1508 words;
Show of Barnett Newman's paintings opens at Phil. Museum of Art.(Knight Ridder Newspapers)
Knight Ridder/Tribune News Service; 3/27/2002; Sozanski, Edward J.; 1920 words;
Show of Barnett Newman's paintings opens at Phil. Museum of Art.
The Philadelphia Inquirer (via Knight-Ridder/Tribune News Service); 3/21/2002; 1901 words;
Reality in light: artist Steve Smulka brings objects to light with nearly photographic paintings. (Artist profile: Steve Smulka).
Art Business News; 4/1/2003; Lo, Kevin; 906 words;

See all results from premium newspaper and magazine articles, images, maps and more at HighBeam Research.

Browse by alphabet:
Need more research?

More information is at your fingertips at HighBeam Research: