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Leonard Cohen
Songs from a Room
(Columbia/Legacy)
First Appeared in The Music Box, May 2007, Volume 14, #5
Written by Douglas Heselgrave
Originally issued in 1968, Songs from a Room was Leonard Cohen’s
follow-up to Songs of Leonard Cohen, his surprisingly successful debut
from the previous year. Though it lacked a career-defining song such as
Suzanne, it was, in many ways, a better effort because, in crafting the
affair, Cohen took more control of his music and his sound. Still, some of the
credit for its success must be given to Bob Johnson, the legendary Nashville
producer whose previous work with Bob Dylan, Johnny Cash, and Simon and
Garfunkel virtually guaranteed a more sympathetic ear and a greater
understanding of Cohen’s musical direction than previously had been afforded by
John Simon, the producer of Cohen’s debut. Johnson’s arrangements and the
excellent stable of musicians upon which he drew — such as ace fiddler Charlie
Daniels, who also had played on the Dylan sessions — elevated and clarified the
stylistic constructs that had been executed rather muddily on Cohen’s prior
endeavor.
Nevertheless, Songs from a Room was almost a very different album than
it turned out to be. Initial recording sessions that had been undertaken with
David Crosby at the producer’s helm didn’t work out well because Cohen had
resisted the former Byrd’s attempts to mold his music until it became a part of
California’s burgeoning hippie-folk scene. Despite his sympathies for many of
the ideas floating around in the aftermath of the summer of love, Cohen’s
musical aesthetics veered more closely to the sounds of country music, which may
seem ironic given it was a collection of songs that celebrated transience and
bohemian lifestyles. Two selections from the original Crosby sessions — a
tentative recording of Bird on a Wire and a demo of Nothing to One
(You Know Who I Am) — are presented for the first time as bonus tracks on
the recently reissued set.
As previously noted, Songs from a Room is more friendly to the ear
than Songs of Leonard Cohen was, and Cohen’s own unique guitar patterns
are featured prominently on each of the record’s compositions. Leonard Cohen is
a good guitarist in the same way that Woody Guthrie and Ani DiFranco are good
guitarists. While none of these composers are technically very accomplished in
musical terms, there is something in the driving, rhythmic thumping that each of
these artists employs that forms the perfect bedrock for their lyrics.
Without question, the best-known track on Songs from a Room is Bird
on a Wire, which opens the set. The tune has been covered by artists as
diverse as The Neville Brothers and Johnny Cash, and for years, Cohen opened his
concerts with it because its lyrics focused the singer and, in his own words,
"returned me to my duties." Like Suzanne, it is a song that has entered
into the public’s consciousness, and it’s hard to remember a time when it wasn’t
a standard part of many musicians’ repertoires. Right after its release, Kris
Kristofferson famously told Cohen that Bird on a Wire seemed ancient and
that even though he felt the Canadian songwriter had copped the melody from
Lefty Frizell, he was going to have the first three lines — "Like a bird on a
wire/like a drunk in a midnight choir/I have tried in my way to be free" —
carved as an epitaph onto his gravestone.
The rest of the tracks on Songs from a Room hold up just as well.
Somehow, they manage simultaneously to sound contemporary and as if they were
etched on papyrus. The visionary power of the desert-seers of the Old Testament
and the hallucinations of the 1960s psychedelic era have never managed to sit so
comfortably alongside each other, before or since. Lyrically, the tunes in this
collection cover much of the same ground as Cohen’s first record, and
compositions such as The Old Revolution, Tonight Will Be Fine, and
Seems So Long Ago, Nancy easily rank among the best in Cohen’s canon.
Even The Partisan, the lone cover song on the set — with its tale of
alienation and heroic resolve — fits perfectly into the album’s thematic
framework. Songs from a Room is a very strong collection of material, and
it typically has been underappreciated by many of Cohen’s fans. Hopefully, the
reissued rendition of this disc will go a long way toward remedying this
situation.
Songs from a Room is available from Amazon.com.
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Ratings
1 Star: Pitiful
2 Stars: Listenable
3 Stars: Respectable
4 Stars: Excellent
5 Stars: Can't Live Without It!!
Copyright © 2007 The Music Box
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