Monday 31 May 2010 | Celebrity news feed

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Johnny Depp and Terry Gilliam tilt again at Don Quixote

The filming of Don Quixote has been a saga every bit as epic as the 15th-century literary classic on which it is based.

 
Terry Gilliam, director and actor Johnny Depp on the
set of 'The Man Who Killed Don Quixote' in 2001
Terry Gilliam, director and actor Johnny Depp on the set of 'The Man Who Killed Don Quixote'

But now, seven years after the film was aborted on one of the most disaster-prone shoots in cinema history, Terry Gilliam's dream of making a big screen version has been revived.

Gilliam, the former Monty Python star and director of Brazil, Twelve Monkeys and The Fisher King, is to reunite with Johnny Depp for a second attempt to make The Man Who Killed Don Quixote.

The development is the latest twist in what is one of the most remarkable stories in cinema history. The original shoot, which suffered a series of setbacks, was captured on film by documentary makers and Lost In La Mancha became a hit in its own right.

One source close to the revived project, who asked not to be named, said: "They are having another crack at it after putting a deal together. Johnny is a bigger star now than he was then, thanks to the Pirates of the Caribbean, and there is every confidence they can pull it off."

The first attempt to make the film in 2001 ended in disaster after just five days of shooting, at a location near Madrid.

On the first day of the £16 million shoot, actor Jean Rochefort, 70, suffered a double hernia. The next day the set was washed away by a flash flood.

When Depp, who plays a 21st century marketing executive transported back in time, declared he could not wait for Rochefort to recover because of other commitments, the film's financiers pulled the plug. The insurers reportedly paid out $15 million (£7.5 million) and took control of the script.

Ownership of the script has now returned to Gilliam.

Shortly after the collapse of the project, Gilliam said he had come to sympathise with Quixote, who in one episode in Cervantes's novel "tilts at", or attacks, windmills that he mistakes for giants, an image that has come to stand for the pursuit of impossible dreams.

 
 
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